Paper Welder

Ton, Miguel, Nick, and Richard all shared their staplers and this is mine. Actually, it's a type of fastener.

This beauty crimps paper together with a fluted "weld." It is in the same vein as Richard's tab thingamajig, but with more mid-century chrome. The ever-interesting American Stationer blog has a very lengthy article about the different models of the Paper Welder. 

One benefit to a crimper like this is you can feed pages that have been crimped though a typewriter with ease. Staples do not always play nicely with a platen.

Typewriter Noir

Typewriter Crafting: Making Hermes 3000 Knobs

Count yourself lucky if you own a Hermes 3000 and your knobs are in good shape  I have two of these typewriters that are in fantastic shape and all knobs, levers, and buttons are extant and operable. However, I do have one Hermes that is missing both knobs.

It's a lovely mid-body Hermes. You know the ones; pale green and white key tops. They have all the feel of the original Hermes with the extra brittle knobs. Bonus! I haven't put it out into the rotation because of the knobs. As a typer it's completely useable, but the knoblesness makes loading paper too dependent on the line spacing mechanism. So, I set out to make a new knob.

Rob made some out of wood. Very nice. I support hand-crafted lovliness. Wood would be good, but plastic...well the future is in plastics. I, however, do not have a plastics factory. Or do I?

Enter Instamorph. You may have seen it as Shapelock or (as the boffins in labs know it) Polycaprolactone; PCL. This plastic is amazing. It melts in 60 degree (140F) water and becomes a pliable putty that you can mold into a variety of shapes. Apart form the hobbyist applications, there are medical uses (drug delivery systems) that make this a very unusual material. I like it because you can make into typewriter knobs.

I took the original mandrel from the Hermes knob and cleaned it off. I then melted some PCL according to the directions on the tub and started forming the small lump into something that resembled a typewriter knob. I worked the material over for a while trying to make a close fit to the mandrel. The material is pliable, but it can be stiff and I was having a hard time making a tight fit around the part. I then thought to form the piece slightly smaller and compression fit it into place. That worked marvelously. In the end I got this.

It is a good size, but looks a little homemade. If you have a little more time and a little more ambition you could make it look a lot better. I gave the plastic some time to cool and then attach the newly-crafted knob to the typewriter. The best thing about this plastic is that if you are unhappy with the outcome, just cut it up into little pieces and reheat it. This process can be done over and over. It's really a great/fun material to work with.

Time will yield results on the long-term durability, but I have high hopes. Instamorph (and Shapelock) are paintable. There might even be possibilities in making (or remaking) feet, keytops, and bushings; anything you might imagine. Now, there is one caveat; Instamorph is biodegradable. So that knob or foot or keytop might not last for decades, but it's perfect for fairly fast repairs.

Instamorph: http://www.instamorph.com (Distributed by a local company out of Scottsdale, AZ)

Shapelock: http://shapelock.com/

Pineapple and Typewriters

Pineapple and typewriters don't mix. Specifically Dole pineapple cups and this typewriter.

Brian–typewriter lover and overall good student–was holding a cup of pineapple his teeth while carrying this typewriter back to his desk. A moment later I herd a yelp, a kerfuffle, and a blur. I turned to see small golden nuggets of pineapple falling into the segment of this typewriter, a stream of juice smacking the floor, and a horrified Brian looking at me like he was preparing to meet his maker.

I have had students bend type bars. I have had typewriters dropped. I have seen dubious choices made over how to treat someof these machines. Never have I encountered a typewriter filled with pineapple and pineapple juice.

As you can imagine, this typewriter is out of commission. The segments are completely frozen and the machine is non-functioning. Thankfully, I know what happened and I will be able to clean it very soon. In this instance a full water dunk will be the best option.

from Dole.com

So my advice: Don't dump pineapple into a typewriter.

The Dilemma: Should it Stay or Should it Go?

I had a college professor who like to point out that the real meaning of dilemma was a choice between two equally undesirable outcomes. Dilemma connotatively means any problem, but in this situation it is a true dilemma.

The problem centers around this typewriter.

A once proud and mighty grande dame of the office, this Super Speed is now a decaying wreck. I can only assume that it was stored in dampest, dankest, darkest basement ever dug by human hands. The corrosion is impressive.

Needless to say, to restore this typewriter to its original state would take countless hours and probably more than a few q-tips. This typewriter was a gift. It was free from a very kind person and I didn't have the heart to tell him that I would never get around to fixing it.

Other projects came and went.

Time passed.

And now what do I do with this albatross?

I like the Super Speed. It's attractive typewriter. The horizontal banding breaks up the strong vertical look of this machine. It's very Moderne. The new design came at a time when Smith-Corona was looking to update the look of their office machine. I agree with Alan Seaver when he says, "In my mind, this version of the Super-Speed belongs more to the '30s than the '40s..."

As much as this typewriter looked new, under the ribbon cover everything was very much the same. To the end of the product line Smith-Corona Super Speed used the same ball-bearing design to hang the type bars that had been designed and used on all L.C. Smith machines for the previous 50 years. By the 40s no company was using that technology. Slotted type segments were the norm, but Smith-Corona still hung on to the tradition.

Even with such a great past and good looking design, the realities of the modern day still linger. I can't keep the machine (I need space for new ones) and restoring this machine is not going to happen. What does that leave? I think parting it out and recycling the frame is my only option.

I don't like the idea, but I am in the middle of a dilemma. So much of the typewriter collecting field focuses on salvaging typewriters, but should we be so squeamish about getting rid of common and broken typewriters? Is every machine worth saving? 

Wednesday's Typewriter Lecture

Just a little update... The lecture was great! About 25 folks attended and some really good questions were asked. I gave the in-depth story of Magic Margin, the Typosphere, and my typewriter collection.

GCC North was incredibly kind in hosting me an my collection. If you are in the area the collection of typewriters is on display through the remainer of the semester.

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The footnotes have been documented, the slides have been Power Pointed, and I have saved my voice for my big event tonight.

So, if you are in the North Phoenix area, stop by Glendale Community College North to hear me drone on about typewriters. It'll be lecture-tastic!

GCC North

5727 W Happy Valley Rd

Phoenix, AZ 85310

Rob's Book

 



Rob said we should post a picture, but I thought several pictures in quick succession would be better. I call them "seqmopho" (sequential motion photographs). They might catch on.